‘The Boys’ Season 4, Episode 6 Recap: Fifty Shades Of Hughie

Jack Quaid in “The Boys” Season 4 Episode 6.

In The Boys Season 4, Episode 6 titled “Dirty Business,” Hughie becomes entangled in a scenario reminiscent of Fifty Shades of Grey.

Still reeling from the traumatic experience of euthanizing Hugh Sr. (played by Simon Pegg) due to a disastrous Compound V infusion in Episode 5, Hughie (portrayed by Jack Quaid) finds himself in a new, unsettling predicament. Tasked with infiltrating a Federalist Society event held at Tek Knight’s opulent estate to investigate dubious plans involving Sister Sage (Susan Heyward) and Tek (Derek Wilson), Hughie disguises himself as The Boys’ informant Webweaver.

His plan to lure Tek away for interrogation goes awry when Tek leads him to his BDSM dungeon known as the “Tek Cave.” Suddenly, Hughie finds himself in a bizarre and precarious situation involving Tek’s S&M partner Ashley Barrett (played by Colby Minifie), plunging him deeper into unexpected and uncomfortable territory.

Note: The next section contains major spoilers from the episode.

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Jeffrey Dean Morgan and Karl Urban in “The Boys.”

Later, an ailing Butcher returns to The Boys’ headquarters, where he’s once again visited by the specter of Becca (Shantel VanSanten), who asks Butcher why he cut off an innocent man’s leg in another act of “blood lust.” Becca also questions Butcher’s motivation for killing Homelander, which she says will only result in another Homelander-like Supe taking his place.

Upon returning to consult with Sameer, the scientist delivers grim news to Butcher: the virus he’s dealing with poses a lethal threat to all Supes, including his allies Annie (Erin Moriarty), Kimiko (Karen Fukuhara), and Becca’s son Ryan (Cameron Crovetti). Realizing the catastrophic implications—essentially global genocide—Butcher wrestles with this ethical dilemma, but Joe argues vehemently in favor of their plan.

In a surprising turn, Joe begins conversing with the apparition of Becca, prompting Butcher to experience a profound revelation connected to his own terminal illness.

Hughie and Daphne (played by Rosemarie DeWitt) honor Hugh Sr.’s memory in New York City. Following Hugh Sr.’s wishes, they scatter his ashes along a walking tour of the filming locations for the Jennifer Lopez movie Maid in Manhattan. Joining them on this emotional journey are Annie, Kimiko, and Mother’s Milk (portrayed by Laz Alonso).

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Meanwhile, Kimiko attempts to visit Frenchie (played by Tomer Capone) in prison after he confessed to the murders of his boyfriend Colin’s (played by Elliot Knight) family years earlier, but Frenchie declines any visitors.

Firecracker (Valorie Curry) steps in as “interim anchor” of the Vought News Network after Cameron Coleman (Matthew Edison) goes on “sabbatical.” Coleman isn’t coming back, though, since he was executed at the hands of The Seven in Episode 5 when he was accused of leaking the video data from The Seven’s Crime Analytics Division. The data, of course, exonerated two Starlighters charged with killing three Home Teamers.

Distraught over Coleman’s execution, A-Train (played by Jessie T. Usher) panics and contacts Mother’s Milk, informing him about the upcoming Federalist Party event. Mother’s Milk then relays A-Train’s information regarding Homelander’s efforts to mobilize a Supes army.

Meanwhile, Black Noir II (portrayed by Nathan Mitchell) removes his mask and vents his frustration to The Deep (played by Chace Crawford) about not receiving an invitation to the Federalist Society gathering, all the while drinking sake straight from the bottle.

A-Train saves Mother’s Milk from what is believed to be a heart attack while he’s trying to rescue Hughie from the Tek Cave. While dropping off Mother’s Milk at the hospital, a young boy standing outside looks at the Supe in wonder because he’s seen a superhero in action, making A-Train smile knowing he’s done something good with his powers.

Kimiko and Annie rescue Hughie from the Tek Cave and exact retribution on Tek Knight by accessing his bank accounts and making substantial donations to social justice organizations. This action serves both as a physical and financial consequence for Tek.

During their confrontation, Tek divulges that he’s entered into an agreement with Homelander and Sister Sage to incarcerate their “dissidents” in his private prisons across the nation.

Firecracker shocks Homelander by disclosing that she has been using lactation pills. This revelation leads to Firecracker assuming the role of Homelander’s new wet nurse, similar to Madelyn Stillwell (played by Elisabeth Shue) in previous seasons of The Boys. She supplies him with a fresh source of breastmilk, ostensibly to maintain control over Homelander, much like Stillwell did before her untimely demise, or at the very least, to prevent Homelander from harming her.

Antony Starr and Claudia Doumit in “The Boys” Season 4.

Review: Despite its eccentricities, ‘Dirty Business’ Exhibits Exceptional Storytelling

Following a politically lighter Episode 5, The Boys creator Eric Kripke reintroduces political elements in Episode 6, seamlessly integrating them into the narrative without appearing didactic.

Kripke cleverly parodies a right-wing conspiracy theory during Firecracker’s VNN appearance, while the Federalist Society event serves Sister Sage’s agenda of persuading influential politicians to commit treason by invoking the 25th Amendment, thereby facilitating Vice President-elect and secret Supe Victoria Neuman (played by Claudia Doumit) to ascend to the presidency. This strategic narrative move propels Season 4’s storyline forward.

Furthermore, Kripke deftly weaves contentious political themes into the scenes set at Tek Knight’s estate, such as Senator Calhoun (portrayed by David Andrews) advocating for a nationwide abortion ban to Victoria Neuman, culminating in a fantastical sequence where Victoria’s head explodes. Yet, these scenes serve a pivotal narrative purpose by convincing Victoria to align with Sister Sage’s coup within the government.

In summary, ‘Dirty Business’ navigates its peculiarities with finesse, delivering compelling storytelling that enriches The Boys’ overarching narrative.

While Episode 5 brought back graphic violence in a humorously absurd manner (like flying feral sheep—undeniably entertaining), Kripke’s portrayal of BDSM scenes in Tek Knight’s dungeon escalates The Boys’ penchant for unsettling sexual deviance, surpassing even the cringe-worthy Human Centipede-esque scene from Episode 2 this season. In essence, the Tek Cave sequences are repulsive and far more unsettling than the comically ridiculous moments in Fifty Shades of Grey.

Adding to the surrealism is Homelander’s continued fixation on breastmilk, an ongoing storyline that remains one of the series’ most bizarre aspects.

Despite Season 4’s inconsistent tone across episodes, Episode 6 delivers compelling developments that elevate the stakes for the season’s conclusion.

Setting aside its peculiarities, Kripke demonstrates strong storytelling with the unexpected twist involving Billy Butcher and Joe Kessler, and the revelation of Homelander’s ambitions to reshape the nation by backing Victoria Neuman for president. While “Dirty Business” may not stand as Season 4’s standout episode, it certainly stands out for its imaginative narrative approach.

New episodes of The Boys Season 4 debut every Thursday on Prime Video.